Archive for November, 2009

Austin, Texas is renowned as the live music capital of the world touted as having the most musicians per capita of any city in the world. With over one hundred live performance places there are always scores of Austin, Texas bands to see any time of year of all different styles from country to rock, to a variety of eclectic styles that can be heard no where else.

Austin, TX is also the host of the South By Southwest music conference which is a nationally known music festival showcasing 1,800 bands of all styles booked from across the whole world in over eighty clubs in Austin over a five day period. South By Southwest was originally just a little music festival that grew into an enormous live music fest with bands participating from around the entire world and continues to grow each year. There are other world renowned emerging music festivals in Austin as well, such as the Austin City Limits Music Festival, Urban Music Festival, and the Fun Fun Fun Fest. The Austin City Limits Music Festival happens once a year in the fall and is a three day music extravaganza with over 130 bands of all genres on eight stages. This event has been known to attract over 65,000 people and bands from all over the globe. The Urban Music Festival started in 2006 and drew a crowd in excess of 9,000 to hear some of the top Urban Music bands. Some of the performers of the Urban Music Fest have been Cameo, Boyz to Men, and the Sugar Hill Gang. The Fun Fun Fun Fest Is another yearly music festival that started in 2005 and has showcased a wide scope of artists over a few days on four stages. A few famous artists of the Fun Fun Fun Fest have been the Bad Brains, All and The Dead Milkmen.

How Austin, TX came to be the home base for so many Austin bands is still a mystery but as the music scene grew through time in Austin, the stigma that it was the place to get discovered and make it to stardom started to draw a stampede of talented musicians from across the nation. The bands and musicians that came to Austin looking for fame soon found that there wasn’t any music industry to sign them there aside from the brief visit of industry professionals during South By Southwest music conference and the great supply of musicians and Austin cover bands only made finding gigs even harder because of all of the stiff competition. The number of Austin, TX bands far exceeds the number of rooms offering jobs so only the best sounding bands end up getting the jobs thereby furthering the popular perception that Austin bands tend to be the greatest in the state. Many musicians that had come to Austin hoping to make it in the local scene headed back where they came from to face less competition and found that being a big fish in a small pond was easier and more productive than slugging it out with tons of bands in one town for the few jobs there were amidst such a competitive music marketplace.

There are many musicians that come from Austin, Texas including Robert Earl Keen, Stevie Ray Vaughn, Willie Nelson, Dangerous Toys, Pat Green and Los Lonely Boys to name a few. All these things add up to make Austin, Texas a town that has been renowned as the “Live Music Capital of the World”.

Universities commonly have extra-curricular activities and events. These events include plays, art exhibits, food sales, rallies, ball games, workshops, and musical concerts. Musical concerts on campus refer to a one-night musical performance of several college bands and one or two famous bands. These events are usually held for the purpose of raising funds for a school organization or for charity.  Tickets are usually sold on campus or even in surrounding cities depending on the popularity of participating bands. Events such as these can be challenging to market given limited funds and competition with other extra-curricular events. One affordable and effective tool that can be used to market this event is printed materials. Examples of these printed materials include:

Flyers – Flyers are quick and inexpensive promotional materials for a school concert. They can feature essential information such as the name of the event, date, time, venue, performing bands, special guests, ticket prices, and beneficiaries. Flyers can also print logos of the event’s sponsors. Bulk printing of full color flyers can be ordered through convenient online printing services.

Stickers – Stickers can be unique and creative materials for promoting a school concert. They can feature attractive, graphic designs of the event’s official logo and tagline. They can feature basic information such as date, time, and venue of the event. Stickers can be easy to distribute around campus for quick and easy promotion. Online printers also offer wholesale sticker printing at reasonable prices.

Posters – Poster prints are highly-visual marketing materials for a school concert. They have plenty of room to feature creative graphic designs and complete concert details including a list of performing bands, a description about the event organizers, and a complete list of beneficiaries. Organizers can print poster campaigns and place them around the most populated areas of the campus. Poster printing is affordable and convenient through online printing companies.

Copyright (c) 2008 Daniel Lafleche

The Sundance Film Festival, though firmly in its mid-twenties and suffering all the expected crises, is one of the world’s most important cinema venues. It’s been said that what plays well up in the mountains of Park City this year will be trickling into the Hollywood mainstream by the summer after next. If this is true, the 2008 iteration of the festival leaves us with a lot to think about. Here are 5 things to chew on as American movies face what is likely a pivotal year.

5. Trouble in Hollywood is not necessarily good news for indies. At the outset of the festival the Writer’s Guild strike dominated conversation. Prognosticators expected a buying frenzy at Sundance 2008 as studios searched nervously for films to fill their potentially empty release slate. However, at the same time, pundits were quick to point to last year’s rampant overspending and predicted buyers would be cautious.

So, what happened? Not much. After an initial panic, over $25 million worth of deals were inked at Sundance ’08. While this pales compared to the $53 million forked over at Sundance ’07, we can consider 2008 as a return to sanity.

4. Of the 17 films sold at Sundance…8 were documentaries. In fact, all the films to sell in the usually frantic first weekend at Sundance were documentaries, leading many to believe that this year’s marketplace would be a bust. But even if prices were down a bit for dramas, critics and audiences agree that the American documentary is as vital as ever, and even after the disappointing box-office performance of last year’s Sundance docs (MY KID COULD PAINT THAT, IN THE SHADOW OF THE MOON) there is still a very healthy market.

3. The Webolution is not being webcast. “The writing is on the wall-the industry must adapt to new media or face extinction. Today’s studios and independents are finally embracing the challenge of porting content and revenue to new distribution strategies. Join Hollywood power brokers and new media superstars to discuss their strategies for the Web.”

That’s from the official Sundance Film Festival Guide and the introduction to the much-buzzed about panel “Webolution!”. Netflix, Veoh.com, Joost.com, Hulu.com, the MPAA, and MTV were all represented.

Sadly, nothing was solved.

The big take-away: the US needs to do more to inspire the kind of access to high speed internet the rest of the developed world enjoys. Some commentators have said, compared to Europe, Japan, and Korea, the US is a “broadband third world.”

Despite the panel and the panic about the web, this year Sundance is scaling back its online offerings. Its Online Film Festival, launched in 2001, has all but disappeared. In 2007, Sundance’s site offered nearly 50 films continuously over the course of the festival; this year, it’ll show just one for each of the festival’s 10 days.

2. Who really rules Sundance and why is it that no one likes Sony Pictures Classics? There have been rumblings for a number of years now that sales agents (or brokers) might have a little too much pull at Sundance. Dealmakers like Cinetic Media, William Morris, Submarine Entertainment, and the CAA (Creative Agency Artists) come to Sundance to represent filmmakers and to fuel the bidding war furnaces. Does a Cinetic stamp of approval get you into Sundance? Probably not, but the annual Cinetic Sundance Party is definitely where you want to be once you get there.

This year the brokers had Sony Pictures Classics’ number. While Fox Searchlight and Focus films paid the most for films ($10M for HAMLET 2, and $5M for CHOKE, respectively), SPC was the most active, snapping up three dramas this year: FROZEN RIVER (repped by William Morris Agency), BAGHEAD (repped by CAA), and THE WACKNESS (repped by Submarine Entertainment). So why are bloggers up in arms? Sony Pictures Classics has a horrific track record releasing and marketing Sundance films (JUNEBUG, LAYER CAKE, PERSEPOLIS), and it is expected that SPC will fumble these crowd favourites.

This side of Sundance has always received a lot of talk, but this year it seems to be receiving, mainly thanks to the efforts of bloggers, the kind of scrutiny that will help it mature in line with Sundance’s artistic aspirations.

1. New American Realism equals… drugs? For critics, commentators, and most bloggers, there was a lot to celebrate at Sundance 2008. Manohla Dargis (New York Times), tweaked to what she called the “emergence of a new American realism,” praised the Sundance crop this year for pointing a way beyond the twee and solipsistic, the mainstays of Sundance Film Festivals past. But at the same time, Todd McCarthy, in Variety, can’t help but comment on how many films this year feature characters trying, failing, succeeding, or thinking about getting high. American documentaries may be in the midst of a renaissance, and the injustices of the world may call for even closer scrutiny, but the stories America is telling itself seem stranded between a desperate holding tight to the bare bones of experience and the wisps of self-delusion.

The jury prizes went to TROUBLE THE WATER, a staggeringly intimate documentary on the aftermath of Hurricane Katrina (still unsold as of this writing), and to FROZEN RIVER, a drama about immigrant smuggling across the United States/Canada border (sold to Sony Classics for less than one million). The audience awards went to FIELDS OF FUEL, a documentary abut American addiction to oil (still unsold as of this writing), and to THE WACKNESS, a comedy drama about New York pot dealers (sold to Sony Pictures Classics for less than 2 million).