Archive for film festival

Centered on the campus of Miami Dade College, the annual Miami International Film Festival began in 1983, promoting not only thought provoking film but also encouraging cultural understanding and tolerance; a fact made evident by the festival’s emphasis on Latin film making, set against the backdrop of Miami’s multi cultural communities.

Throughout the years, the Miami Film Festival has been the breeding ground for a selection of diverse films and events, offering not only new film makers the opportunity to showcase their efforts in a multi cultural metropolis, but industry professionals too. Influential film makers, including Spike Lee and Luc Besson, have screened their work at the festival in the past, while distributors such as HBO, Fox Searchlight and Miramax have taken part in the presentation of some of the business programs available at the festival.

The diverse and unique nature of the films on offer during the festival is reflected in the choice of screening venues, with three of the theatres used being historic landmarks, including the Gusman Center – a grand, elegant movie theatre ideal for the major red carpet events and the Tower Theatre, conveniently situated in the Little Havana neighbourhood of Miami and vibrant with different cultures. Other theatres include the Colony Theatre on Lincoln Road in the heart of South Beach’s Art Deco district, as well as screenings at the University of Miami’s central campus.

The 25th anniversary of the festival also marks the fifth year of the ground breaking Encuentros program; giving Spanish and Latin American artists the opportunity to present their latest projects to U.S and International industry professionals, helping to build connections and contacts in the industry. With the Festival boasting more than 1300 relationships with national and international press organisations, the Miami Film Festival is the ideal platform for new artists to showcase their talent.

Outstanding work is encouraged with a $25,000 prize going to the leaders in a number of categories, with prize-money donated by the Knight Foundation, an organisation promoting journalistic excellence worldwide. One of the biggest supporters of the Miami area in general, the foundation has invested over $148 million in the vitality of Miami since 1950.

Last year’s event saw the hotels in Miami packed with more than three hundred directors, actors, film makers and writers as well as 70,000 film fans who flocked to the city to sample the 120 films being screened. This year is set to be even bigger with an educational and thought-provoking experience on offer to all the visitors to the 25th Miami International Film Festival this February.

Laura Silverman / Heather Connor

The Silverman Group, Inc.

312.932.9965 / 312.932.9911

laura@silvermangroupchicago.com

Lori Hile

Chicago International Film Festival

312.683.0121 ext. 103

publicity@chicagofilmfestival.com

The 44th Chicago International Film Festival, October 16 – 29, 2008, presented by Cinema/Chicago, will offer moviegoers the best new films from around the world, with several exciting additions, including a “Festival Village” and the launch of Green Screen, a program celebrating our natural environment, the power and artistry of filmmaking, and the intersection between the two. In its fifth decade, the Festival continues to present special appearances by legendary international actors and directors, along with the impressive film line-up for which the Festival is known. Audiences this year will be captivated by 116 feature films, 38 short and student films, and 18 documentaries from more than 45 countries, showcasing both established and promising new filmmakers. ”

For 44 years, we’ve been committed to taking you all across the globe to discover some of the most exciting cinema the world has to offer, right here in Chicago for two weeks only,” said Michael Kutza, Founder and Artistic Director of the Chicago International Film Festival. “This isn’t your typical Saturday night out at the movies – these are once-in-a-lifetime events. And this year we’ve set up camp in a new Festival Village to create an even stronger sense of community where you can come out, see the films, meet the people who make them, mingle with your fellow film fans, and most importantly see the world in a whole new way.”

SCREENING LOCATIONS The 44th Chicago International Film Festival will screen films at four locations. The majority of films will be shown at AMC River East 21, 322 E. Illinois Street, and AMC 600 N. Michigan 9, 600 N. Michigan Avenue. Both the Opening Night (October 16) and Closing Night (October 29) screenings take place at the Harris Theater, 205 E. Randolph Drive. Screenings of films in the Rediscovered and Restored Series will be held at the Music Box Theatre, 3733 N. Southport Avenue, on October 26, 27, and 28.

TICKETS Film Festival passes are on sale now. Individual tickets for the 44th Chicago International Film Festival screenings and events will go on sale the beginning of October. Passes and tickets can be purchased by visiting www.chicagofilmfestival.com or www.ticketmaster.com, or by calling 312-902-1500.

ABOUT CINEMA/CHICAGO Cinema/Chicago, a not for profit, tax exempt cultural and educational organization, presents the annual Chicago International Film Festival, North America’s oldest competitive international film festival, organized to encourage better understanding between cultures and its people and to make a positive contribution to the art form of the moving image. Subscribers to Cinema/Chicago’s membership program form a loyal core audience for the organization and are granted access to more than 15 free film screenings and sneak previews throughout the year. Cinema/Chicago also offers year-round educational programs designed for students and the deaf and hard of hearing to provide new film experiences and offer insight into other cultures, languages, and ideas. These programs include the Educational Outreach Program, the Program for the Deaf and Hard of Hearing, and the Black Perspectives Program. For up-to-date and detailed Festival information, call 312-332-FILM or visit www.chicagofilmfestival.com.

Posted by: ERICK LASECA

Junior Board Member

Chicago International Film Festival

“I don’t know about you, but this sounds like heaven to me. Whether you are a film aficionado or a filmmaker with a film entered, a film festival is an exciting experience and one you will want to repeat as often as possible.” These words are the experience of Chris Gore that he writes in the first 10 pages of his book “The Ultimate Film Festival Survival Guide”. In this book he talks about going to Film Festivals all over the world and enjoying each and every one of them.
There was a time when there were only few film festivals and people were not enthusiasts enough as the studios controlled every aspect of film making. However, with the rise of Indie films every state in the country had its own film festival. In California alone there is around twenty or more film festivals.
There was a time when films did not happen at all unless they were under the sponsorship of the some studios. There was no chance at all for a little guy getting his or her film out there. But now the whole thing has been changed. The little guy can show his films anywhere he want, this gave a call to the rise of independent film festivals all over the world.
The first few film festivals where people submitted their films were the Sundance, The Tribeca, and The Toronto Film Festivals. Later however there came lots of other film festivals where people could submit their films and show their talent. This is rather like a lottery; if you don’t play you can’t win. If you don’t enter your film you can’t get it shown. You must continue to present your motion picture as many times as you can until you finally get approval into a festival.
Always remember that film festival board may have 800 submissions and only 40 spots for a film to be shown. So in the beginning you might get few rejection letters until you get your first acceptance letters. Many a refusal letter has given the reason that they had far too many submissions to even view them all. My advice to you is that once you have your film done and you have the very first date they are opening for submissions then put forward your film. Don’t wait until the last minute.
Make sure that your film has entered the right festival. I am not sure about the category, but you can get your film into the general drift. Also do not forget to read your application cautiously. It may require your entry to be mailed, done online, or even in person.
While presenting an independent motion picture, be very careful about the timings. If it is too long then do some trimming work. Just to be on the safer side if the film is say about 10 minutes long, make it 9 minutes. Do not let them a chance to give you a rejection letter for any cause.
Rejections can be a bit funny at the same time tricky. The “Slamdance” film festival came about as an answer to the rejections from “Sundance”. The Sundance Festival shows its plays in Park City, Utah at the same time in Park City, Utah Slamdance also shows it plays. This is a purposeful attempt to show the films that have been over looked or rejected by Sundance.
Go ahead and do your own search of film festivals and check out their application processes. Do these research sooner rather than later. Don’t wait until the last minute.

The love of films becomes a celebration in London for two weeks during ‘The Times BFI 51st London Film Festival’. The capital city is buzzing with people who love films and filmmakers from all over the world. This festival gives a chance to view films, documentaries and provide opportunity to meet filmmakers and celebrity artists. It also promotes world films that may not be available for screening in the cinemas across the nation. The festival is an important venue for development and promotion of films from UK and abroad and it showed around 184 feature films and 133 short films from 43 countries, at various venues in London. The Festival Started with the opening night gala showing David Cronenberg’s ‘Eastern Promises’ and finished with the closing night gala showing Wes Anderson’s ‘The Darjeeling Limited’, a train voyage across India. Few films from the festival are reviewed below.

Closing The Ring: Richard Attenborough/ UK-Canada

Richard Attenborough has done it again. ‘Closing the ring’ is one of the most beautiful films I have seen in a long time. This film is about the value of love and the loss of it, inability to grieve, loyalty among friends and above all, the heartache and suffering brought on by war. Shirley MacLain and Christopher Plummer have excelled in their performance. Christopher Plummer showed his adoring fans that he could still win hearts, just as he did all those years ago as the handsome captain in ‘Sound of Music’! ‘Jimmy’ (Martin Mac Cann) was a delight to watch along with Pete Postlethwaite. Richard Attenborough shows us that there is no shame in falling love and keep it live, no matter what your age is. ‘A film that touches your heart and tells you something’, that’s what ‘Closing the Ring’ does and therefore, an example of good cinema truly at its best. Question & Answer time with Lord Attenborough after the screening was sheer delight.

The Darjeeling Limited: Wes Anderson/USA

A light hearted film that tells the story of three brothers who haven’t seen each other for a year going on a train journey through the deserts of India. They are trying to bond with each other and with the beautiful but unknown conditions in India. Wes Anderson’s film brings comedy, conflict among siblings and some hilarious moments. These brothers who love each other don’t like each other very much and their odd behaviour comes as no surprise once you meet their mother (Angelica Houston), who gives a great performance along with Adrien Brody, Jason Schwartzman and Owen Wilson. A good laugh and a film you don’t want to miss.

I’m Not There: Todd Haynes/USA

‘I’m not There’ means just that! It’s a biographical journey into Bob Dylan’s life, portrayed by six actors, but Bob Dylan, as the title says, is not there! If you think an 11-year-old black boy, Marcus Carl Franklin, who is splendid as Bob Dylan is odd, the worse is yet to come; but that’s surely the best, Dylan played by a woman! Cate Blanchett in black and white turns up as Bob Dylan and you don’t for a moment suspect that it’s a woman. She is just magnificent and puts the other ‘Bobs’ in the shade. It’s confusing and chaotic if you are not a Dylan fan, but entertaining till the closing credits. The music however is real stuff and as the closing credits roll in, songs like the original ‘Knock knock knock’n on heaven’s door’ keeps you on your seat.

The Assassination of Jesse James By the Coward Robert Ford: Andrew Domonik /USA

Definitely ‘a Brad Pitt film’ and everyone else fades away in the background. The film is based on the legend of Jesse James, ‘the gentleman outlaw’ who became an American icon. Brad Pitt has shown his acting ability yet again, only more so this time. He has graduated in the ‘Jack Nicholson School of acting’! A film worth watching and the cinematography is at its best. Perhaps the film would have been even better, if it did not stretch that long after the assassination of Jesse James; great film, in spite of this and not to be missed.

In Memory of Me: Saverio Costanzo/ Italy

As the film is set in Venice one expects to see at least a bit of this beautiful city; but that was not to be. The camera has eyes for the outside world only when a large ship slips by the window of the seminary. ‘In Memory of me’ is a very intense film that goes into the inner depth of spirituality and the conflicts encountered. The story is about Andrea who is accepted into a Jesuit seminary, isolated in an island. The recruits undergo very strict training to prepare them for the disciplined work that awaits these soldiers of Christ. The rituals are repeated in a methodical fashion everyday and that includes cleaning of the corridors of that magnificent monastic building. The inmates’ personality is analyzed to such an extent that they start to doubt their own spirituality and whether such mental cruelty is justified.

The silence that lingers in the magnificent corridors is mesmerizing, to say the least! We have heard of severe Mother Superiors, but the Father Superior in this film is frightening. Some find this fearsome training unbearable and decide to leave. Andrea too reaches his turning point, but finally realizes that he is made for better things and God has a purpose for him and decides to follow Him. This film is a lesson in itself in how one gives himself to God, then loose that faith and ultimately regaining the love of God and the faith. An intense film that makes one think.

Things We Lost in the Fire: Susanne Bier/USA

It tells the story of Audrey (Halle Berry), her loss and how she tries to rebuild her life after loosing the love of her life in a tragic accident. Her envious life with her husband ‘Brian’ and the two beautiful children are shown as flashback. Audrey decides to seek help from her husband’s childhood friend, Jerry (Benicio Del Toro), who is a drug addict and quite dangerous at times. Though she did not like him to be her husband’s friend in the past, she felt drawn to him now as they both had one thing in common- the love they both shared for Brian. She asks Jerry to move into the converted garage that was refurnished following a fire at the house and Audrey and the children form a bond with him. Anyone would wish to have somebody like Jerry in a situation like this, but not a drug addict though! Complications set in and the emotional turmoil in dealing with the sense of loss, drug addiction, rehabilitation and the society’s role in all this are portrayed very well.

Halle Berry has given a magnificent performance. Benicio Del Toro was dazzling and he has given his best ever. It was a delight to see Halle Berry at the screening, looking gorgeous in a brilliant blue backless gown! Susanne Bier (Director) and Halle Berry answered questions from the audience after the film: a beautiful film not to be missed.

Richard Attenborough, Wes Anderson, Susanne Bier, Saverio Constanzo, Andrew Dominik, Shivajee Chandrabhushan, Shamim Sarif, Amitab Bachan, Robert Redford, Tom Cruise, Halle Berry and Adrien Brody were among the celebrities who attended the screening of their films. It was truly a festival of films, films that touched the audience and made them think. The two weeks of the festival was a stage for meeting the best filmmakers from all over the world, listen to them and see films of extreme diversity.

5th Asian Film Festival

5th Asian Film Festival under the joint ageis of Aashay Film Club, the Indira School of Communication and in association with the Asian Film Foundation, was successfully held in Pune at twin venues, -between 1st – 8th November at City Pride,Multiplex Kothrud, and the National Film Archives theatre.

The concept of the festival being screening of majority of Asian Cinema which has now become the major attraction in the 21st century and even in the Oscars. Asian movies are making ground entries Even when we compare European and Hollywood movies with the Asian Cinema the Asian movies are making a mark for itself due to its realistic scripts and stories.

India, China, Japan and Iran are pioneers in the Asian Cinema Industry which is closely followed by Korea, Israel, Kazakhstan, Thailand, Srilanka

and Taiwan who are also setting a mark of their own stream in the European market. Cultures of these places are being publicized through the screening of these movies in Delhi, Pune and Mumbai.

Senior Film Drama Actor Dr.Mohan Agashe was the convener of this year’s festival. Kirloskar group were the ‘Main Partner’.The co-partner City Pride Kothrud, with Media partners being the Sakal & Maharashtra Herald group of News Papers.

Madhur Bhandarkar, young and talented film maker, inaugurated the festival by lighting the traditional lamp. Noted Film maker Yash Chopra, received the 3rd Zenith Asia award. Well received film of International Film Festival, Poet of the Wastes directed by Mohammad Ahmadi, was the opening film,which was screened to packed houses, whereas, Umesh Kulkarni’s film in Marathi, ‘Valu’ – The Wild Bull was screened on the closing day.

Highlight of the festival being, the screeing of exclusive films from Japan, China, Israel, Iran, Taiwan, Thailand, Srilanka, ,Korea, Bhutan, Phillipines, Kyrgystan

As of Indian films, a mix of regional films …Kannada, Bengali, Malayalam, Assamese and other language films were screened.

The festival saw separate section on Chinese films, where seven films made during the last seven years from China, were screened.

Tribute to Master, section, saw films of World known Japanese master Akira Kurosava.

Off Beat Hindi Cinema: A section is devoted to some of the off- beat films of last year from Bollywood were screened.

Mai Marathi: In this section last year’s best seven Marathi films were screened. Some of the films were premiered in presence of their

Director and Crew.

Best of Asia: This section saw a combination of films from Asia which were discussed in the last five years.

Retro of recent Hindi Film Director Nageskh

Kukonoor, whereby his four films were screened.

The recepient of this year’s Dadasaheb Phalke award,Director Shyam Benegal’s films were sreened.

Liv Interactions with Director and Artist made the festival more eventful and lively.

Debut Film: A special section devoted to screening Debut film of a director from different Asian Countries was also the highlight of the 5thAsian film festival