Archive for good film

Great role model-Emma Watson

Emma Watson exhibits her aptitude on requires of her role model, “I discover the completely construct of being ‘hot’ awkward and flurrying. My mind of sexy is that lower is more. The lower you expose the more citizenry can marvel.”

Emma Watson Modeled for Burberry Fall/Winter 09 Collections. I ever admit particular care to any celebrity’s looks as the present of elegant brands. Also, I’m a big fan of Burberry, particularly its classic English assured pattern. Emma Watson, the Harry Potter starlet 19 year old British actress has lately modeled for Burberry’s Fall/Winter 09 collection. Here I prefer to deal a few exposures from Emma Watson’s Burberry ad campaign.

Her hair is fashionable yet at the equal time a little bit dingy (something of a vogue) and her makeup is hot without being cartoonish. It appears that still whether in the profitable downturn minute, Burberry still adjudges big aspiration to seize new commercializing share. Allow check into the future season and care it be a great patronage.

tags : emma watson gallery , emma watson pics , emma watson photos

Emma Watson new Animation Career

Emma Watson is preparing for more Potter films now, while she is also involved in dubbing for animated movie entitled the Tale of Despereaux, Emma Watson played a role as Princess too. This is her debut to lend her voice to animated movie, and will be the next career in her life.

Never let it be said that there’s a lack of imagination in Hollywood. For every great film that comes out there’s someone happy to create a sequel, then another and, when the possibilities for sequels have run out, a prequel. Not to mention those that, rather than spin the yarn further forward or back are happy to simply rework a film.
Some sequels actually better the original film, though it is very rare. There are things to do that make a sequel a worthy investment both of studio money and audience attention. Sequels need to stay connected to the original story line (which is why the Indiana Jones trilogy, sorry – quadology, won’t be mentioned) and to take it and the characters further. It’s also important to maintain the same qualities that made the first film worthwhile.
The main characters need to be present too, there’s nothing worse than a sequel where only one cast member has taken the paycheck to comeback or only a couple of minor player appear – has anybody seen American Pie: Band Camp?
Widely hailed as one of the greatest sequels, Godfather 2 ticks all the boxes needed. The characters are the same as in the first, the story is a direct link to the end of the first and takes both the characters and the plot further. It’s also of the same quality of performance and writing as the first film.
You’ve also got to know when to stop, of course, or you’ll end up with a Godfather 3. While the characters remain as close as allowed by deaths in the previous installments, some key cast members bowed out and the story was overly complicated and lacking in quality in comparison to the first two films. Just as its predecessor was hailed as a great sequel, Godfather 3 was mauled as a terrible sequel.
Knowing when to stop means that we won’t be getting a fourth installment in the Bourne films, though Bourne Supremacy was a superb sequel, but not knowing when to stop meant that Mission Impossible 3 exists and Mission Impossible IV is in pre-production. It’s also the reason behind 7 Police Academy films, each more mirthless than the first insipid offering.
So, when the idea of improving a film with a follow up isn’t appealing what do you do? Write an entirely new and genre defining film? Of course not, all you need to do is make a prequel. A film that takes place before the events of the first film.
Except that, no prequel has ever really added anything to the original film and, by definition, are pointless. Look at the Star Wars trilogy briefly. They weren’t included in the sequel section as they were conceived as a trilogy and made close enough back-to-back. At the start of the first film everything that the audience needs to know is explained in an iconic an oft parodied scroll of text. Three great films, job done.
Not if you’re George Lucas and have become bored of touching up your old films with digital effects. Why not come up with the weakest possible of story ideas, set it before your original trilogy, go over the top with computer effects, forget all about characters and good writing and create cinema’s mast annoying character in Ja Ja Binks and call it a trilogy of prequels. Not just one, but three equally damning and poor prequels that each served to ruin the good work done by the original.
There’s now a ridiculous number of prequels: The Scorpion King, Dumb and Dumberer, Carlito’s Way; Rise To Power, Butch and Sundance; The Early Days. Not one of them has a redeeming feature and are all filled with awkward attempts to cue up the events of the original film and thus prove themselves essential. What’s next; Tom Hanks in Recruiting Private Ryan?
When those hacks referred to as writers have drained the soul out of films with sequels and prequels there’s still no need to write something new. Not when they can simply re-create an old film. While it may not seem like a creditable idea, there are some good examples of re-makes but you must bring something new to the original.
For examples of some worthwhile re-makes let us look to two of the all time greats; Robert De Niro and Al Pacino. Both have stared separately in re-makes (Cape Fear and Scarface both updated the originals and added stellar acting from both performances) and starred together in one. Heat was a re-make of Michael Mann’s L.A Takedown which he’d failed to find funding for and simplified into a made-for-television movie. Following Mann’s success with The Last of the Mohicans he found no problem getting funding, backing and big names to star in his films and re-made L.A Takedown, bigger, better and bolder than the original and managed to get two of the world’s greatest actors in the same film.
Of course, if you’ve got absolutely nothing to add to the film in terms of plot or development and merely want to throw in a handful of current stars, don’t bother. If you do you’ll end up The Pink Panther remake that haunted cinema screens in 2006 or an entirely pointless remodel of The Italian Job that decided to make the classic British movie into a pointless vehicle for Mark Wahlberg and Jason Statham. Also proving a surprising failure – given the calibre of its cast and creative team – was the remake of The Ladykillers from the Coen brothers and starring Tom Hanks.
Taking the re-make idea to an overly literal translation, Gus Van Sant decided to re-make Psycho shot for shot in an effort entirely without meaning or merit that demonstrated how to spend and estimated 20 million dollars pointlessly. Some remakes are so terrible that something good comes as a result. Take Swept Away, Guy Ritchie’s dire re-make of the 1974 Italian film Swept Away by an Unusual Destiny in the Blue Sea of August. Panned everywhere the film had a positive impact in the movie world as it’s star, Madonna, swore she’d never act again as a result. Now, that, is a result.

Movies Reviews on the Web

Sophisticated technology has allowed movie creators to manifest a story to become some kinds of scene that are really similar to real condition. Consequently, we can enjoy movie on various genres which have been made by the use of advanced 3D technology. So, if you really like indulge in watching movies, just take your time to watch your favorites at home theater or cinema.

When you have lack information of a movie, just come to Movies.piczo.Com since it has provided you with reviews of various genres of movies.  At this website, you will be able to know what people’s opinions about a movie so that you can have references before watching the movies.  All about Matt Mazer filmography is also available at this website. So, if you one of his fans, please check out his overview and bibliography at this website. Aside from reviews of movies, this website also provides reports of holywood and Bollywood celebrities.

Do you want to have updated news of several celebrities whose movies are famous? If you do, this website is the precise place for you.  There is no need to wait any longer when you are a movie lover since all about movies will be disclosed at this website.

Copyright © 2009 Ed Bagley

Wedding Crashers – 3 Stars (Good)

Talladega Nights: The Legend of Ricky Bobby – 2 Stars (Average)

There are comedies that can make you laugh that are not good films because they lack any meaningful substance or worthwhile message. An example would be “Talladega Nights: The Legend of Ricky Bobby”, worth a few laughs with Will Ferrell as Ricky Bobby, but not able to get you emotionally involved in a character’s plight.

Then there are comedies that can make you laugh that appear to have a lack of substance, but slowly pull you into a character as you become emotionally involved with his situation. An example would be “Wedding Crashers” with Owen Wilson as John Beckwith.

So what makes one film good and another just average? The difference is in the script, the direction and the acting.

For openers, Talladega Nights was written by Will Farrell, who also plays the lead role, and by Adam McKay, who is the director. My experience has been that when the director of a film also writes the script, the script, the direction and the movie all suffer the majority of the time. When the lead actor of the film is also a writer of the film, the situation becomes compounded, like the blind leading the deaf through a minefield.

Both Farrell and McKay try to tell a story with their comedy but fail because not only is the comedy unbelievable, but the character of Ricky Bobby is not likeable enough to convince us that there is human drama unfolding here.

McKay joins a long list of other writer/directors who have bombed in these dual roles, including Vanessa Parise (terrible rating) for Kiss the Bride; Peter Weir (average rating) for Master and Commander: The Far Side of the World; Nancy Myers (average rating) for Something’s Gotta Give; Thomas Bezucha (average rating) for The Family Stone; Michael McGowan (average rating) for Saint Ralph; Jared Hess (terrible rating) for Napoleon Dynamite; Robert Rodriguez (terrible rating) for Once Upon a Time in Mexico; and Paul Thomas Anderson (terrible rating) for Punch-Drunk Love.

Exceptions to this dual role as writer/director are Kirk Jones (excellent rating) in Waking Ned Devine, and Tim McCanlies (excellent rating) for Secondhand Lions. Both Jones and McCanlies are master storytellers in these films, and other writer/directors who have failed could learn a lot from them.

Wedding Crashers, another funny comedy, is just the opposite of Talladega Nights in that Steve Faber and Bob Fisher can tell a good story, and David Dobkin can direct a good comedy film. Their effort comes together because Owen Wilson as John Beckwith is likeable and has the acting style and ability to emotionally connect with the viewer.

We can see ourselves in his predicament—living a life of fun and pleasure at the expense of others, and then developing a conscience that foreshadows personal growth.

After taking advantage of so many lovely, unsuspecting bridesmaids, he slows down enough to notice Rachel McAdams as Claire Cleary, who shares his sense of humor and light-heartedness. The more he looks at Claire, the more he wants to look at Claire.

Claire, however, is spoken for by a person she has not yet discovered is really a self-absorbed, dictatorial, manipulative, rich jerk, whereas John Beckwith appears more worthless but is wanting and willing to change his ways.

It is interesting that Vince Vaughn as Jeremy Grey’s character, Beckwith’s wedding crasher partner and best friend, is not nearly as likeable, although he also decides to get married to Claire’s immature, dippy sister Gloria Cleary (Isla Fisher).

I saw the unrated and uncut version of Talladega Nights, and the uncorked (not rated) version of Wedding Crashers, the theatrical version was rated R with sexual content, nudity and filthy language.

Despite watching the additional footage not shown in theaters, and enduring the sexual content and language, I would watch Wedding Crashers again but would not watch Talladega Nights again if you offered to pay me.

Moviegoers are fooled less often than you may think, and it becomes evident at awards time. Talladega Nights: The Ballad of Ricky Bobby, was nominated in 2007 for the People’s Choice Award for Favorite Movie Comedy, but did not win. Wedding Crashers was nominated in 2006 for the People’s Choice Award for Favorite Movie Comedy and did win.